Tags: Animals, Arts, Education, Environment, Museum, Nature
One of the exhibits at The Singapore Biennale struck a chord with Itchyfingers.
Two paintings showed contrasting landscapes – one was natural and the other, man-made…
No guess which was our preference…
Look opposite for a picture of horror…
Rationale for the paintings. I think the artist was successful in making
his statement through these two paintings…Commercial oil palm
plantations thrive only at the expense of the natural habitats of many
The Singapore Biennale 2013 is ongoing at various venues until 16 February 2014.
Also see related posts:
> Little Rooms of Horror – Singapore Biennale 2013 #2
> Four Itchy Fingers – Singapore Biennale 2013 #1
With the Lunar New Year around the corner, many chinese families are at their busiest doing major spring cleaning for the house. Old things are normally thrashed and replaced by new ones. But one man’s thrash is another’s treasure. Some people have a knack for picking after others’ thrash. They may feel that the items are still usable and it is wasteful to throw them away. Some people pick things that may be useful to themselves; while other pick, clean, and resell these items for some extra cash. You can call these people the “Pickers” or “Karung guni“, or “rag-n-bone” man in local term. Some of these thrash may end up with a new fashionable name called “Vintage” and their prices may double or triple as a result of their new-found status. Yet there are some who simply keep things for the sake of keeping things…there’s a name for these people – “Hoarders”.
Then there is another group of people who pour over mountain of rubbish in search of prized pieces for their work. There is zero capital involved, minimum or zero re-creation needed, and the end result is usually “thought-provoking”…These people called themselves, “Artists”.
Itchyfingers were at the Art Museum visiting the Singapore Biennale 2014 when we entered a dark room. A faint musky odour seemed to linger in the air and what greeted us gave us a rude shock. A whole room of dolls’ heads pierced on bamboo sticks…Was this some kind of Halloween-themed room? Coincidentally it was around the Halloween period when we visited…
Regardless how “grand” the idea behind these doll installation, or how
much the artist wanted people to think about their action…I just
thought it was really eerie to have to look at so many of these old dolls and
work on them…
The path led viewer to a metal shed…full of more dolls…
Even the ceiling had more dolls staring at you! This just reminded me
of that cave full of women’s hair in a Turkish Ceramic shop….Equally
musky….equally creepy…couldn’t help thinking what’s behind the
Just found the whole room of mouldy, broken and dirty dolls very disturbing…something outta a horror movie…something like Chucky the evil doll in Child’s Play the movie.
If you think a dark room full of gloomy-looking old dolls freaked the h*ll outta Itchyfingers was bad enough, you would think we would welcome the sight of a corner with cheerful red walls and floor. On it, lied 2,000 kg of saga seeds that the artist had collected from across South-east Asia over the years.
Itchyfingers simply cannot appreciate this. On the official site, the rational says,
“Comprising more than 2,000 kg of saga seeds collected from across Southeast Asia, Anahata is a site-specific installation located in the heart of the Singapore Art Museum. In Hindu cosmology, the word refers to the fourth and ‘heart’ chakra, meaning “unstruck” or “unhurt”. The idea of change is expressed here not as an active force or physical manifestation, but rather as sheer potential energy as embodied in the seed, which holds the life-force of an entire tree in its tiny kernel. The work recalls the history of the site as a former Catholic boys’ school, a place where knowledge and learning were planted. Pulsing with the energy of thousands of seeds, Anahata intimates that the greatest power is that of pure possibility.”
Er…can you understand just what the h*ll the artist was trying to make out of these seeds? Call us shallow, but really scratch head and “catch no ball” leh!
I’m sure many of us had collected these seeds before, as the bright red coloured seeds are really nice and attractive. In Chinese, these are known as 相思豆, or “mutual love bean”, hence it has a romantic symbolism behind. But to collect so many of these is simply crazy! Just what was the artist thinking when she started collecting so many of these seeds? Surely she has heard of the phrase, “Take nothing but photos. Leave nothing but footprints”? So having amassed such huge amount of seeds, it seems the artist finally found some good use for them when she got herself the high-profile Biennale commission work…I think I should start collecting some seeds too and wait patiently for some organisation to commission me an art installation. In the meantime, I shall concoct some only-myself-will-understand rationale for my masterpiece….
But I think given the space constraint in my humble abode, I shall instead conceptionalise this:
An empty white room with only a single grain of rice.
The rationale? To urge people to ponder over the problem of food-wastage and food-shortage. To make the installation interactive – try look for the grain in the room.
Also see related posts:
> Four Itchyfingers – Singapore Biennale 2013 #1
Tags: Arts, Design, Museum, Uniquely Singapore
Walk into the National Museum of Singapore and you won’t miss these…
At first, Itchyfingers thought the artist must be an itchy finger himself so he created these installation pieces. But it seemed that he wanted to convey more….
The Singapore Biennale 2013 is on-going at various venues until 16 February 2014.
Also see related posts:
> Open House – Singapore Biennale 2011 #3
> Biennale @ Kallang – Singapore Biennale 2011 #2
> Taking off at Kallang – Singapore Biennale 2011 #1
> The “Why-Din-I-Think-About-It?” – Singapore Biennale 2008 #4
> The “See-Liao-Catch-No-Ball…”! – Singapore Biennale 2008 #3
> The “Die-Die-Must-See”! – Singapore Biennale 2008 #2
> The “Die-Die-Must-See”! – Singapore Biennale 2008 #1